Issues : Authentic corrections of FE
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b. 5-7
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composition: Op. 63 No. 3, Mazurka in C# minor
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The authenticity of the change of position of the accompanying chords and the bass register introduced in FE2 (→EE) is unquestionable. In a later version Chopin polished up the sequence of 3 voices contained in chords in the tenor and alto register and avoided a parallel shift of chords (G category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes , Authentic corrections of FE , Bass register changes |
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b. 13
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composition: Op. 63 No. 3, Mazurka in C# minor
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Chopin changed the lowest note of the accompaniment chords in this bar from g category imprint: Differences between sources; Corrections & alterations |
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b. 14
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composition: Op. 63 No. 3, Mazurka in C# minor
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The double slur in FE1 (→GE) is probably a remaining element of the initial slurring, left by inadvertence, corrected by Chopin in FE2 (→EEW). category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 24
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composition: Op. 63 No. 3, Mazurka in C# minor
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The traces of changes in print visible in FE reveal that the one-part writing in GE is the initial version, changed by Chopin in the stage of proofreading FE1 (→FE2→EE). category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 33-48
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composition: Op. 63 No. 3, Mazurka in C# minor
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In [A] (→FE1→GE) Chopin wrote the middle section of the Mazurka in a key signature with four flats, although the prevailing key is D category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Last key signature sign |
major→C
major, while from bar 41 even G